Euan Shields
Born in Japan and raised in the United States, Euan Shields is a conductor of electrifying energy and precision, navigating the most demanding scores with what The Guardian described as control that keeps “hyperactivity just the right side of dangerous driving.” He serves as Assistant Conductor of The Hallé, Music Director of the Hallé Youth Orchestra, Associate Conductor at the Sun Valley Music Festival, and founder of the Strata Orchestra.
Recent highlights with The Hallé include the orchestra’s Nottingham season finale at the Royal Concert Hall, a programme of Janáček’s Taras Bulba, Tchaikovsky’s Violin Concerto and Dvořák’s Eighth Symphony. ReviewsGate wrote that “Euan Shields’ vision of the epic nature of the Janacek work and his control over this vast, intensely colourful, highly detailed canvas were impressive throughout.” At The Hallé’s John Adams Festival, he conducted the composer’s Chamber Symphony in a performance reviewed in The Guardian, with John Adams himself praising Shields for giving “one of the best performances I’ve ever heard” of the work.
His Japanese debuts include the Osaka Symphony Orchestra, with Shostakovich’s Symphony No. 5 and Tchaikovsky’s Violin Concerto, and the New Japan Philharmonic in Tokyo, with Brahms’ Symphony No. 4 and Mozart’s Piano Concerto No. 27.
A champion of contemporary composers, Shields uses his role with the Hallé Youth Orchestra to bring new voices to British audiences. He has led UK premieres of works by Yu Kuwabara, Katie Jenkins, Hannah Ishizaki and Unsuk Chin, and commissioned Mark-Anthony Turnage’s “Artist in the Rain” for the Hallé Youth Orchestra, which received its world premiere in March 2026.
Founded in 2026, the Strata Orchestra is a chamber ensemble dedicated to excavating the layers of history, influence and meaning within each score it performs. Its inaugural concert featured Mahler’s Fifth Symphony in a chamber arrangement for twenty-five players.
Shields was awarded first prize at the 2023 Siemens Hallé International Conducting Competition, which led to his current appointments with the orchestra. Sir Mark Elder, Conductor Emeritus, praised him at the time: “I was very impressed the moment I saw Euan working; his whole conducting approach is concentrated, very individual and very intense.” In 2024 he received second prize at the Korean National Symphony Orchestra International Conducting Competition in Seoul, and he has been supported by the Solti Foundation with its Career Assistance Award for three consecutive years (2023 to 2025).
At The Hallé, Shields is assistant and cover conductor to Principal Conductor Kahchun Wong and Conductor Emeritus Sir Mark Elder, and has held the same role for a wide range of other leading conductors, including John Adams, Thomas Adès, Jonathon Heyward, Xian Zhang, Giancarlo Guerrero, Roderick Cox, Anja Bihlmaier and Chloé van Soeterstède.
He has also appeared with the Danish National Symphony Orchestra, the Orchestre Philharmonique de Monte-Carlo, the South Denmark Philharmonic, the Düsseldorf Symphony Orchestra, the Biel Solothurn Symphony Orchestra and the Gstaad Festival Orchestra. His collaborations with soloists include Simone Lamsma, Imogen Cooper, Ning Feng, Tom Borrow, Kyohei Sorita and Yasuko Otani.
シールズはジュリアード音楽院にてデイヴィッド・ロバートソンに師事し、オーケストラ指揮を学び、2023年に修士号を取得しました。ジュリアード以前には、UCLAでピーター・フォーク奨学金の支援を受け、アントニオ・リジーにチェロを、ニール・スタルバーグに指揮を学び、学士号を取得しています。
His musical path began on the cello in Tokyo at age eight, later taking him to the San Francisco Symphony Youth Orchestra during high school. There, he discovered his passion for conducting, founding the San Francisco Youth Chamber Orchestra and organizing public concerts across the city. This early experience continues to shape his collaborative approach and commitment to community building through music.
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「ジョン・アダムズ自身から、自作《室内交響曲》(1992年)について『これまでに聴いた中でも最高の演奏のひとつ』と称賛された。ユアン・シールズの指揮、ハレ管弦楽団のメンバーによる演奏で、第1楽章の複雑なテクスチュア(無数のクロスリズム)は、まるで表面張力によって支えられているかのように奇跡的な一体感を保っていた。終楽章は猛烈な勢いで突き進み、その過剰なエネルギーは、シールズによって“危険運転すれすれ”の絶妙なラインにコントロールされ、さらに驚異的な超絶技巧を披露する一人打楽器奏者によって力強く支えられていた。」—『ガーディアン』紙


